words

January 13, 2008

the 11-20
50 things I've learned in 50 years, a partial list in no particular order
by Eric Zorn
Chicago Tribune

11. The Golden Rule is the greatest moral truth. If you don’t believe in it, at least try to fake it.

12. Keeping perspective is the greatest key to happiness. From a distance, even a bumpy road looks smooth.

13. You can’t win arguing with police officers or referees, but every so often you can fight City Hall.

14. It’s not “political correctness” that dictates that we try not to insult others’ beliefs and identities. It’s common decency.

15. It may not feel like it, but it’s good luck when you have people at home and at work who aren’t afraid to tell you when you’re wrong.

16. It’s 10 times easier to fall in love than to stay in love. And no matter what the sad songs say about romance, broken hearts do mend.

17. Don’t waste your breath proclaiming what’s really important to you. How you spend your time says it all.

18. Keeping an open mind is as big a challenge as you get older as keeping a consistent waistline.

19. It’s never a shame when you admit you don’t know something, and often a shame when you assume that you do.

20. Wounds heal faster under bandages than they do in the open air.

January 12, 2008

the first 10 of 50
50 things I've learned in 50 years, a partial list in no particular order
by Eric Zorn
Chicago Tribune

1. It’s better to sing off key than not to sing at all.

2. Promptness shows respect.

3. You can’t avoid offending people from time to time. When you don’t mean it, apologize. When you do mean it, accept the consequences.

4. The first person to use the expression “Get a life!” in any dispute is the loser.

5. The medium is not the message. Those who issue blanket condemnations of any form of communication—be it TV, tabloids, text messages or blogs—simply aren’t paying attention.

6. The most valuable thing to have is a good reputation, and it’s neither hard nor expensive to acquire one: Be fair. Be honest. Be trustworthy. Be generous. Respect others.

7. Prejudice and bigotry is hard-wired into us. You can’t overcome it until you acknowledge it.

8. Don’t be bothered when people don’t share your tastes in music, sports, literature, food and fashion. Be glad. You’d never get tickets to anything otherwise.

9. Cough syrup doesn’t work.

10. Empathy is the greatest virtue. From it, all virtues flow. Without it, all virtues are an act.

September 18, 2007

The book Woman, An Intimate Geography by the Pulitzer Prize winning author Natalie Angier inspired much of the work I made for my Girlfights and Strong Girls series. There is a chapter in the book called In Defense of Female Aggression where Angier describes the cultural rerouting of girls aggression that occurs once girls start to talk. There is no duking it out in a straight forward battle. Girls retreat to snubs, gossip, eye rolls, etc… and it all becomes a bit more insidious. A meta gesture of being pissed.Jab

September 11, 2007

things can get all tangled up

Tangle_2

Double Double Dutch
ink on paper

December 2008

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DeCordova Museum, Pretty Sweet

  • Decordova2
    Pretty Sweet: The Sentimental Image in Contemporary Art Curated by Nick Capasso An installation of 75 laser cut acrylic mirrors configured in a loop-de-loop installation

Wasabi

  • Mouse72
    Wasabi: Contemporary Art with a Japanese Kick at The Nave Gallery

building the Goodwin-Wise Flatpak

  • Evening Flatpak
    It took 2 years to build this first production version of the Flatpak House. I will post images as we set up home in our new digs.

China painting factories 07

  • Happy_cat
    In March 07 I traveled to Shezhen, China to sort out production for a series of paintings. The factory painters were mostly young and all talented. Like 1980's art students they wore concert t-shirts, took frequent smoke breaks, and played alternative music very loud from a tinny CD player. All of the painters were either friends or relatives of one another. The factories themselves looked less warehouse and more apartment building. The office of the factory I visited had not only wall to wall carpeting but wall to ceiling. It was a plush environment. The Da Fen district, where all of the oil painting factories reside, is marked by a giant, (very communist) statue of a hand holding a paintbrush. Surreal doesn't quite express the region. The images shown do not depict the artwork I was working on, but rather, the artwork these factories all too often produce.
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