inspired by

September 10, 2008

In today's NYTimes there is an article about Maurice Sendak . 


A quote I particularly liked: -
So he spends his days pondering his heroes: Mozart, Keats, Blake, Melville and Dickinson. He admires and yearns for their “ability to be private, the ability to be alone, the ability to follow some spiritual course not written down by anybody." 

  Sendak-3-650

July 06, 2008

Alessandra Facchinetti couture debut for Valentino

June 24, 2008

Lawrence Weiner

A short film about Charles & Ray Eames by Todd Oldham

June 11, 2008

Arthur Ganson is inspiring

thanks Jules

June 04, 2008

Zürich Chamber Orchestra | Roller Coaster

April 29, 2008

I miss Mark Morris' big pouf of hair but I still love his work.
I enjoy listening to him discuss his method.

April 16, 2008

A blog about the creative process
measure for measure
soooo good

April 08, 2008

Young At Heart
trailer

April 04, 2008

At Apex Art in NYC a new show opened that was curated by Dave Eggers.
The show is called Lots of Things Like This
Here is a little blurb form the brochure:

"Why is it that so many of these artists aren’t so
great at spelling? And why is it that when they
screw up one of their words, instead of starting
over, they just cross the word out and write it
again? Many people would choose to start over.

Why is it important to many of the artists that the
drawings appear casual, even rushed? Is the loose
draftsmanship part of its appeal, in that it seems
more intimate and disarming? Is absurdity more
appealing when it comes across as humble?

What is the line between a doodle, a cartoon,
a gag, a work of fine art, and will there ever be
a time when someone doesn’t insist on writing
a similar kind of silly and rhetorical sentence in
an art catalog?"

to see more about the show

This is Dave Eggers: 2008 TED Prize wish: Once Upon a School

December 2008

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DeCordova Museum, Pretty Sweet

  • Decordova2
    Pretty Sweet: The Sentimental Image in Contemporary Art Curated by Nick Capasso An installation of 75 laser cut acrylic mirrors configured in a loop-de-loop installation

Wasabi

  • Mouse72
    Wasabi: Contemporary Art with a Japanese Kick at The Nave Gallery

building the Goodwin-Wise Flatpak

  • Evening Flatpak
    It took 2 years to build this first production version of the Flatpak House. I will post images as we set up home in our new digs.

China painting factories 07

  • Happy_cat
    In March 07 I traveled to Shezhen, China to sort out production for a series of paintings. The factory painters were mostly young and all talented. Like 1980's art students they wore concert t-shirts, took frequent smoke breaks, and played alternative music very loud from a tinny CD player. All of the painters were either friends or relatives of one another. The factories themselves looked less warehouse and more apartment building. The office of the factory I visited had not only wall to wall carpeting but wall to ceiling. It was a plush environment. The Da Fen district, where all of the oil painting factories reside, is marked by a giant, (very communist) statue of a hand holding a paintbrush. Surreal doesn't quite express the region. The images shown do not depict the artwork I was working on, but rather, the artwork these factories all too often produce.
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