Mouse
22x30"
ink on paper
ink
October 21, 2007
Feline
ink on paper
22x30"
October 19, 2007
girl out of focus
flocking and ink on paper
32x50"
In second grade I wore an eye patch to remedy my lazy eye.
It did not fix it.
September 18, 2007
Boy Wonder
ink on paper
11x14"
September 14, 2007
Getting to see multiple series of work all hung in one place is rare. Never enough wall space. I like the cadence of the show. A vertical visual poem read any number of ways. It helps me sort out where I've been and where I'd like to go.
The people at St. Paul's School have been incredibly kind and welcoming. I was impressed with the maturity and confidence of the students who attended the opening. I look forward to working with the students in October.
Thank you to everyone who loaned work back to me for this show. I appreciate your efforts.
Thank you to Michelle and Amy for coming to the opening.
Huge thanks to Tatum, Clara, Sofie , and Rick.
September 12, 2007
Shojo Apparition
ink on paper
38x50"
September 11, 2007
things can get all tangled up
Double Double Dutch
ink on paper
two more images from the effervese series
tell me a little bit about yourself
gesso and ink
11x14"
August 16, 2007
Inside the gallery at Montserrat College of Art
The Other Side of the World
ink, goldleaf, on paper
38 x 50"
Poptiquity (panel one)
ink, paint, gold leaf, flocking
32x72"
Eternal Peace
gold leaf, ink on panel
36x36"
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links
DeCordova Museum, Pretty Sweet
- Pretty Sweet: The Sentimental Image in Contemporary Art Curated by Nick Capasso An installation of 75 laser cut acrylic mirrors configured in a loop-de-loop installation
Wasabi
- Wasabi: Contemporary Art with a Japanese Kick at The Nave Gallery
building the Goodwin-Wise Flatpak
- It took 2 years to build this first production version of the Flatpak House. I will post images as we set up home in our new digs.
China painting factories 07
- In March 07 I traveled to Shezhen, China to sort out production for a series of paintings. The factory painters were mostly young and all talented. Like 1980's art students they wore concert t-shirts, took frequent smoke breaks, and played alternative music very loud from a tinny CD player. All of the painters were either friends or relatives of one another. The factories themselves looked less warehouse and more apartment building. The office of the factory I visited had not only wall to wall carpeting but wall to ceiling. It was a plush environment. The Da Fen district, where all of the oil painting factories reside, is marked by a giant, (very communist) statue of a hand holding a paintbrush. Surreal doesn't quite express the region. The images shown do not depict the artwork I was working on, but rather, the artwork these factories all too often produce.
